Everything from workhorse dynamic vocal mics to broadcast lavaliers, studio condensers and DI boxes lives in this section, the largest microphone range in the Stage Supply catalogue. Audio Technica, Shure, Sennheiser, Neumann, Audix and sE Electronics cover the capture side, with conference systems, gooseneck installations and wireless systems extending it from the stage into boardrooms and council chambers.

The sub-categories split by transducer type and application. Dynamic and Condenser form the workhorse divide, dynamics for loud sources and rough handling, condensers where detail and reach matter, with Ribbon for smoother voicing on brass, strings and guitar cabs. Body Worn Microphones and Gooseneck serve theatre and installed speech, Conference Systems covers managed meeting audio, USB handles desktop recording, and Capsules lets you match a favourite head to your existing wireless handhelds. DI sits here too, from simple boxes to specialist hum eliminators like the Interspace Industries Balance Box. For radio systems, head straight to Wireless Systems and check the frequency band first, since GB-band Channel 38 kit runs under an Ofcom shared licence while other bands need coordinated licensing.

Polar pattern is the spec that most often gets skipped and most often causes the problem on stage, so decide what the mic must reject before worrying about what it must pick up. Trade customers can lean on engineers here who have actually gigged this gear.