Shure

Wireless microphone systems dominate the Shure range: SLX-D digital systems in single and dual receiver configurations with SM58, Beta 58A and Nexadyne capsules, SLXD1+ bodypacks, BLX analogue systems for hire fleets, and SB904 rechargeable batteries for GLX-D+. Each system is listed in a specific frequency range, such as K59 covering 606 to 650 MHz, so check the band suffix against your Ofcom licence when ordering.

The wired catalogue runs just as deep. Gooseneck and conference microphones cover boardrooms and council chambers, the Beta 52A handles bass drum duty and the Beta 98 covers close drum work, and condenser, dynamic and body-worn models sit alongside the SM58, still the most widely used vocal microphone in live sound. SE215 sound-isolating earphones handle in-ear monitoring on stage and at front of house.

Hire companies standardising on a single wireless platform will find SLX-D scales from a two-channel band rig to a multi-channel theatre system, while BLX covers simpler jobs. Trade accounts suit buyers building out a fleet, and our engineers can advise on multi-channel frequency planning before you order.